-
Dispersió de la primera pedra, Poliamida, polyurethano, foam and air, 320 x 350 x 400 cm, 2010, Centre d'art Fabra i Coats, Barcelona, 2020.
-
Happens every day, Centre d'art Fabra i Coats, Barcelona, 2020
-
Retrat de l'artista adolescent (amb ull de vellut), B/W photography. 1991-2008.
-
Solo Both at ARCO Madrid, 2020
-
Foc i pausa, installation view at ARCO Madrid, 2020
-
ToCINEria, B/W Photography, 60x80cm, 2007-2020
-
Untitled, Galvanized iron, 27 x 22 x 14 cm, 2017
-
Untitled, Galvanized iron, 38 x 25 x 29 cm, 2017
-
Untitled, Galvanized iron, 50 x 35 x 15cm, 2017
-
Monument precari amb monedes deshabilitades, galvanized iron and coins, 143 x 60 x 50 cm, Casa Vicens, Barcelona, 2017
-
Pausa, terracotta, 30 x 20 x 10 cm, 2019
-
Les bèsties i les sobres, ARTBAR Centre d'Art i Cultura, Port de la Selva, Spain, 2018
-
Les bèsties i les sobres, ARTBAR Centre d'Art i Cultura, Port de la Selva, Spain, 2018
-
Les bèsties i les sobres, ARTBAR Centre d'Art i Cultura, Port de la Selva, Spain, 2018
-
Reptar, Galvanized zinc iron, 50 x 100 x 7 cm, 2017
-
-
Escriptura dislèxica II, Mixed media on card, 104 x 75 cm, 2017
-
Escriptura dislèxica I, Mixed media on card, 104 x 75 cm, 2017
-
Magma, Matèria primera Fabra i Coats - Centre d’Art Contemporani de Barcelona, 2017
-
Magma (detail), Matèria primera Fabra i Coats - Centre d’Art Contemporani de Barcelona, 2017
-
La lliçó de Diògenes (Monument indòmit 2015), La Panera de Lleida, 2018
-
-
Compositions, Museu Geològic del Seminari de Barcelona. Curated by Latitudes, Barcelona, 2015
-
Compositions, Museu Geològic del Seminari de Barcelona. Curated by Latitudes, Barcelona, 2015
-
Monument. Lladres de Filferro (exhibition view), Espai 13 Fundació Joan Miró, Barcelona, 2012
-
-
Untilted, Mixed media on paper, 100x70cm, 2016
-
La Febre, Mixed media on paper, 100x140cm, 2014
-
Untitled, Mixed media on paper, 200x140cm, 2016
-
Dispersió de la primera pedra, Poliamida, polyurethano, foam and air, 320 x 350 x 400 cm, Canòdrom, Barcelona, 2010.
Jordi Mitjà’s work emerges from the study of particular materials from the area where he lives and in which he grew up. He operates from an appropiationism redrawn in terms of archival logic. In other words, his work is born from an ambivalent process of accumulation and rejection of knowledge that simultaneously function as a trigger for the execution of his work. Through his sculptural work, Mitjà pays homage to his fascination for local relics, imperceptible from a global perspective. Mitjà collects waste and discarded objects; he tracks the territory ethnographically as if he was trying to describe the landscape that surrounds him.
Jordi Mitjà (b.1970, based in Lladó). Recent solo exhibitions include Línia discontínua (Galeria Cadaqués, 2021); Succeïx cada dia (Fabra i Coats Centre d’Art Contemporani, Barcelona 2020), Llegir amb les condicions idònies (Bombon projects, Barcelona 2017-18), L’escultura no és important (Fundació Suñol, Barcelona 2017), Magma (Bòlit Centre d’Art Contemporani, Girona 2016), Monument. Lladres de filferro (Espai 13 Fundació Joan Miró, 2012), Dispersió de la primera pedra (Canòdrom, Barcelona 2010) or Floating lines (Galeria Umberto di Marino, Napli 2009). Recent group exhibitions include Cap a les deu (Bòlit Centre d’Art, Girona, 2021); Parar la fresca (Bombon – Joan Prats – Nogueras Blanchard, Fonteta); Assemblage#28 – Maraña (Julio artist run space, Paris, 2021); Don’t get 2 close 2 my fantasy (KHgalleria, Ciudad de México, 2020); Great Hits (Bombon projects, Fonteta, 2020); Biennal Leandre Cristofol (La Panera, Lleida 2017), Punk -Its traces in Contemporary art (MACBA, Barcelona 2016 and CA2M, Madrid 2015), La lliço de Diògenes (Tecla Sala, L’Hospitalet de Llobregat 2016), The Fountainhead (Fondazione Zimei, Montesilvano 2015), VideoStorias (ARTIUM, Vitoria 2011) or 89 KM (MARCO, Vigo 2010).